We wanted to see a lower bit-depth option in the form of ProRes or H.264. With the release of Davinci Resolve 17 and Blackmagic RAW viewer, we opened and manipulated the footage in Premiere as well. However, because of this, the files are 12K in 12-bit RAW. Blackmagic RAWĪ drawback to the innovation from this camera is it only captures in Blackmagic BRAW for all resolutions and framerates. That’s enough to give you a medium-wide shot, medium shot and close up all in one. 12K is 4 times larger than 4K, which means you can do a 4x punch-in when finishing in 4K. When you downscale the image, it looks even sharper, any noise minimizes. Even if you don’t need all of the resolutions, it functions in many different ways. Without a crop to the super 35 sensor, it captures up to 120fps in 8K and 60fps in 12K. It shoots up to 240 frames per second (fps) in 4K, but has an additional crop to super 16. The URSA Mini Pro 12K features internal captured 12-bit RAW with a bit rate up to 578 MB/s.
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